Fontsarabic12/18/2023 In lighter weights and smaller sizes, it’s highly legible as body text at larger sizes and heavier weights it cuts a distinct form widely praised as a prime display font-check out the title text for the Almost There poster above-and was even named one of the best display typefaces of 2016 by Granshan, an organization founded to recognize excellence in non-Latin typography. Gaber says the goal is “to create an Arabic typeface that matches the Latin without bending the Arabic letters or ‘Latinizing’ them-to maintain the classic rules of Arabic lettering while matching the Latin type.” Cairo’s Latin and Arabic characters are so neatly aligned that their strokes can be woven together and layered on top of one another, creating an elegant union of the two scripts to visually suggest that both languages are being spoken simultaneously.Ĭairo’s crisp, minimal, sans-serif design is useful for many contexts. The software is very useful but for me and my team we are using bilingual presentations and videos in English and Arabic. Maintaining a sense of balance and consistency between each letter is a painstaking task, but ultimately necessary to the success of a type family. As the Arab-speaking world came online, this gap in type design became even more conspicuous, and people responded by inventing an ad hoc vernacular, transliterating Latin to Arabic in emails, chats, and text messages for example, “3” would be used to represent “ع” and عين would be written as “3ain,” instead of the more formal transliteration of “Aain.” The limited collection of Arabic fonts included in early desktop computers and web browsers were dull and clumsy-sometimes missing characters and often riddled with errors. The challenge of Arabic type design continued into the digital age. Foundries of the twentieth century developed just a few dozen Arabic typefaces compared to the many hundreds of Latin designs. It was designed and released by Twinletter, its Arabic style makes your projects exude. In the centuries when Latin typefaces were blossoming, Arabic printing was comparatively neglected. Qosydu is a great modern display font with a versatile and delicate Arabic look. But these things are hard to automate, and trying to emulate calligraphy in type often backfires.” “There are lots of tricks to balance the black and white in the line, or even the page as a whole. “Arabic script has a great and extensive history of development and refinement, and this is reflected in how many forms a letter can take, depending on its context,” explains Egypt-based type designer Hosny.
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